Tag Archives: urban landscape

Perspective 1 – Linear Perspective

Canaletto - The Grand Canal with S Simeone Piccolo

Canaletto – The Grand Canal with S Simeone Piccolo

When I think of think of linear perspective in an urban landscape I think of Canaletto and his paintings of Venice and his wonderful interpretations of the canal systems and architecture.

They used to call Bangkok the Venice of Southeast Asia due to the network of canals  in and around the city, most of which have been closed off and made into open sewers. One of these canals is situated behind the Temple school where I teach and so to start this exercise I did  rather lengthy study of the canal and the buildings around it,

Bangkok

Canal Behind Debsirin School

1 Behind Debsirin School - Watercolour

1 Behind Debsirin School – Watercolour

This was the first and probably the best study in this exercise completed from life and in one sitting. I put it together in pieces like a jigsaw drawing the main lines and filling in the details one part at a time rather than drawing the lines of the whole thing first. The plants, bridge  and the outhouse at the end of the canal give the painting a lot of depth and it is very much a finished watercolour painting. It would have also been good to paint using really thin washes of acrylic using them as a watercolour medium something I haven’t tried yet.

Wat Makut Temple

2 Wat Makut Temple - Watercolour and Pen

2 Wat Makut Temple – Watercolour and Pen

Continuing with watercolour I went onto make this sketch over two pages in my Moleskine sketchbook of Wat Makut Temple at lunchtime.

This time I completed the expressive outline in Rotring drawing pen before ‘colouring in’ in watercolour. Usually on this style of urban sketching I would lock the sketch in first in pencil before going over in pen but this time I hgave up on the pencil after a couple of lines and completed the rest in pen making it a bit more expressive.

It wasn’t bad and is probably something I would like to develop in the future. However, it would have been better if I had used the book length ways capturing a cropped version scene of both sides of the temple as there are nice buildings on all sides here.

 

 

 

Koh Larn

3 Koh Lan Street in Pencil

3 Koh Lan Street in Pencil

I loooked all over Koh larn Island for a place where I could sit down undisturbed and spend time sketching without being bothered or being burnt to a crisp. It turned out that the best spot to sketch for this exercise was right near our hotel/guest house where there was a small passage way in between a resort and some traditional Thai island houses that lead down to the beach.

 

4 Koh Lan in Pen and Watercolour

4 Koh Lan in Pen and Watercolour

Here I managed to sit under the corner of a canopy and look down the passageway from the road. The first sketch I made was in charcoal pencil, the second in pen and watercolour. The reason for the two sketches was to see how similar the perspective of the two quick sketches would be, if there weren’t that much difference then I would look at developing these into a painting with the information I had.

 

The Final Painting

Torn between the Canal at the back of the temple and the scene on Koh Larn I decided to go for developing the scene on Koh Larn to capture the memory, with it being my last year living in Thailand.

5 Painting the Outline

5 Painting the Outline

I started by drawing in the outline by dipping the handle end of the paint brush in a slightly watered down mix of primary blue, hopefully this gave me the same kind of control as drawing with a stick, nice and stiff but not too precise.

 

 

 

 

6 Applying the Washes

6 Applying the Washes

From there I applied a thin watered down mix of watered down blue fading into the white of the support for the sky and then began to apply thin washes of blue for the buildings.

 

 

 

 

 

7 Trying a New Technique

7 Trying a New Technique

The brief for this exercise said that ‘the use of line by drawing with a brush or a drawing medium will be more important than your use of colour and tonal contrast’ but I wanted to use this opportunity to practice a new technique. I don’t know what it’s called or if there’s a name for it but I worked in the paint on the wall of the building in a criss-cross motion working the thin layers of red, blue and burnt Umber on top of each other.

 

 

8 Half Way Point

8 Half Way Point

After painting the grass and the sand I carried  on working on the lines of the side of the shop and the wooden panels of the Thai houses with a small flat brush before moving onto the resort side of the passageway and the most difficult part, the wooden fence above the wall.

 

 

 

 

9 Finished Painting

9 Finished Painting

The two sides of the passageway depict a contrast between the traditional lifestyle that the Thais lead and holiday island lifestyle of the visiting holidaymakers and travellers and I was hoping to show that clearly here.

The finished painting is not how I imagined it would turn out. The perspective is good but I imagined it looser and more fluid rather than tight and precise like it turned out. This was due to the left hand side of the painting being quite technical and I would have probably been better choosing a street or passageway with Thai houses on both sides as I like the way the wood on the Thai houses turned out.

The wall on the building on the right remind me of the early paintings of contemporary artist Therdkiat Wangwatcharakul who paints on rusty old aluminium panels, the difference being my finished painting is a bit too clean. Maybe this is because the wall on the right is too clean, would it be better to mark it up in someway?

 

 

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From Inside Looking Out 2 – Hard or Soft Landscapes

Living in Bangkok it is very hard to find any rural landscape to draw or paint for this exercise but luckily enough it was a very busy month socially and within the space of a few weeks I had travelled to the seaside town of Pattaya and Koh Lan (Coral Island) to my girlfriend’s home town of Chiang Khong, just across the Meekong from Laos. This helped me get in quite a few studies of both rural and urban studies in a matter of days.

Urban Sketches

Chao Phraya River Bangkok

Wet on Wet Watersoluble Pencils

Wet on Wet Water Soluble Pencils

This is one of my favourite sketches of a hard landscape to date and it was a very different style for me. I made the sketch with wet water soluble pencils in a side to side motion on wet paper. The problem though was that I did not capture enough information to turn into a painting and another trip to the spot was needed before I could consider this for a painting.

 

 

Pattaya Pier

Watercolour Pattaya Pier

Watercolour Pattaya Pier

This watercolour sketch was drawn from a photo that I took arriving at pattaya from Koh lan on the ferry. Although it is quite a week sketch there are parts of it that really stand out, mainly the ripples on the water and the sky.

 

 

 

Cranes on the Chaophraya

Watercolour Cranes on the Chaophraya

Watercolour Cranes on the Chaophraya

There is some pretty interesting construction going on at my side of Bangkok at the moment that needs documenting. I passed these cranes on the way to work every day for about three months and eventually managed to get the day off so that I could draw them. This sketch had all the information needed to be developed into a painting but at this stage I’m not sure if I would be able to depict the water using acrylics

 

Emporium Park – Sukhumvit

Watercolour Sketch Sukumvit Park

Fig.1 – Watercolour Sketch Sukumvit Park

Watercolour Sketch - Sukhumvit Park

Fig. 2 – Watercolour Sketch – Sukhumvit Park

I wouldn’t have thought about going here as I live at the other side of the city but my girlfriend landed a private yoga class in the park and so it was a great opportunity to do a bit of sketching after I had helped her take photos of the Yoga class.

 

 

I did a lot of the sketching in the park and then finished them off at home and over did it with the water which looks too muddy.  The water in the park is very discoloured but should have more reflection on the surface in the sun.

 

 

 

 

Watercolour Sketch - Sukhumvit Park

Watercolour Sketch – Sukhumvit Park

 

The third sketch was a little better and I actually thought about using it for the coming linear perspective exercise. It was also great practie for mark making for the leaves of the trees.

 

 

 

 

 

 

The Temple at Rama VII Bridge

Acryic Sketch of Temple and River

Acryic Sketch of Temple and River

This sketch was a very fast sketch in acrylic of a temple by Rama VII bridge that sits on the Chaophraya river, the UFO type building in the background is the Nonthaburi campus of some Technology university. I thought it was a good contrast of old and new buildings. I sketched the buildings very quickly over a wash of blue and red which gave me the colour of the sky and those colours reflected on the water.

 

The water however was the only thing that stopped me developing this further in acrylic as again i’m not sure if I would do a good job of it an acrylics I think I may have to look into techniques for painting water.

Silhouette of a Local Temple

Silhouette of a Local Temple

Silhouette of a Local Temple

 

On the way home from painting the last sketch I took a photo of this temple on my side of the river which come out as a silhouette. It was a bit too easy to paint but it did give me some practice painting the sunset which I painted in watercolour before drawing in the buildings with a Pentel Brush pen.

 

Chao Phraya River – Khrung Thon Bridge

Watercolour Study Chaophraya

Watercolour Study Chaophraya

 

I took another trip back to the place where I completed the first sketch in watersoluble pencils. This time I wanted to capture more detail that I could maybe use in a final painting. Unlike the other sketches in watercolour I wanted this one to have more fluidity to it and so this time I used a wet on wet technique. It was my first time using this technique but I think it worked quite well. The only thing that didn’t really work was the boat.

 

Rural Landscape

Chiang Khong, Chiang Rai

The laos Bank of the Meekong River

Fig 1. The laos Bank of the Meekong River

Charcoal Study of a lake

Charcoal Study of a lake

The next sketches were part of a series of sketches I drew in charcoal in Chiang Rai while visiting my girlfriend’s home.

Fig 1. is a sketch of the banks of the Meekong river which I really liked as there were many layers to it with the trees and mountains in the background and the river in the foreground.

 

Fig 2. is a sketch of a small resevoir at the back of the girlfriend’s house. This was drawn at sunrise which I couldn’t really get over in charcoal. Being the most appealing of these sketches to be developed as a painting I took a photo of the scene so I could use the information from that for the colours I needed to use for the final painting. I just hoped that I could manage to paint the water as easy as it was to draw it in charcoal. Could I use a similar technique in paint?

 

The Final Painting – Soft Landscape

Final Painting after 1 Sitting

Final Painting after 1 Sitting

Once back in Bangkok I began the final painting in the comfort of my air-conditioned apartment. Firstly I prepared the support the support with a wash of pink and blue that met in the middle this gave me a blue to work on for the sky and pink for the reflection of the illuminated clouds on the water. Then I begun to paint the clouds using a scumbling technique.

In fact I used the same technique but with different thicknesses of paint for most of the first part of the painting which I did in one sitting using only the the primary colours, red, yellow and blue plus white, mostly layering them on top of each other or mixing them on the canvas rather than mixing on the palette, applying the paint with a medium filbert.

Finished Painting 12 x 16 inch

Finished Painting 12 x 16 inch

When it came to the water I had no idea how to go about depicting the reflection on the ripples of water and tried several different techniques until I thought it would be a good idea to take a look at Monet’s Water Lily paintings. In one of his paintings, Water Lilies and Reed he seemed to use small horizontal strokes, this helped me a lot and I finally got it right, applying the paint in small strokes with a small detail brush.

Thoughts on Final painting

I really like the final painting for a number of reasons. Overall I’m quite proud with it as it was the first time I had painted using only the primary colours.

Composition

I originally chose the composition because even though this was a simple composition it was very soft with several focal points that would draw the viewer in such as the sky, the water and  the flow of water between the mountains. I wasn’t sure I could do a good job painting these areas but I am very happy with the results.